Abstract

Although the notion of sound marks as trademarks has been widely accepted worldwide, the recent trend, however, has been particularly remarkable in the United States, India, and the United Kingdom. The current paper is relevant to a discussion of legal and procedural provisions relating to the registration of sound marks wherein evolving standards on graphical representation and some kind of distinctiveness requirement is emphasized. Although the U.S. has been more liberal in its practice under which sound marks are registerable without stringent graphical restraints, the UK and India keep a higher bar, so to speak, that would otherwise block certain non-conventional trademarks from registration. This debate identifies landmark cases that define sound mark recognition and challenges for applicants-such as distinctiveness and limitations of existing graphical representations. Finally, the paper provides recommendations for improving the process of registration in India, from the use of digital representations to clearer guidelines on the existence of non-musical sounds and better interaction with stakeholders, measures that might make the best out of the potential enabling sound marks to efficiently identify brand signatures, inspiring innovation and competition in the marketplace.

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